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Vally Elyane
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Elyane VALLY visited many different artists’ studios and studied primarily the « Marthenot method » for a period of seven years. During this time, she married painting with music, as she became aware of the effects that music could provoke in her visual imagination. Her intention is to enrich her work with such essential musical notions as tempo, rhythm, and the combination of tones.
She currently lives in Beauce, where between classes she organizes for
children and adults, and her own artistic creation, her time is completely
devoted to painting. Women and still life subjects are the main themes of
her work. She enjoys playing with perspective and likes to upset the normal
organization of forms in order to create a new balance, leading to a new
architecture that seems elaborate but is in perpetual movement. Her palette is rich with color. She uses many primary tones, but to add interest to these dense colors, she also adds subtle nuances that fit with the subject at hand.
Light sparkles in a multiple of facets, veritable mosaics, that are animated in a chromatic dance, like the elements of a puzzle that fit together to create the primary subject, a woman. VALLY has participated in many art shows, including the GMAC in Paris, and has been honored with numerous awards.
« The paintingsfrom Elyane vally give at the first glance a feeling of a myriad of colours . But if we examine more closely lots of her works, in fact, four or five tints, no more measured out, spread or mixed, sing together ; or even just three primary colours split uup on the canvas , in the right intuition of her special effect. Vally could say for her sake the so true statement from Pablo,Picasso : « in fact , we work with very few colours. What gives the impression of many is that thay were put up in the right place.» You will even discover work frm Vally whereupon triumph jstt red blue and yellow, bursting into xcountles shades .
There is something else striking the spectator contemplating Vally works : their brillance : aesthetic choice of course , shared with the fauvist of course. The brillane of a canvas paradoxically also plays on black as an absolute counterpoint , to make the color flow all their light. Finally the brillance of a canvas , and this is were Vally the strengh of her instinct , assume that the impulsive intensity comes before rational intensity. »
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| Le Clanche
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| Aublé
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| Avezard
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| Bartoli
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| Bertho
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| Canto
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| Cayet
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| De Schwilgué
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| Feuz
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| Fougeras
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| Gedda
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| Journod
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| Le Dain
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| Lorrillot
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| Loubat
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| Loussier
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| Manese
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| Moretti
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| Oppringils
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| Perrin
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 V .JPG)
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| Robert
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| STOUL
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| Vally
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